FILM CRITIC AS MARKETER

IS TODAY'S FILM CRITIC MORE MARKETER THAN INTERPRETER?

IN AN AGE OF CRASS CONSUMERISM, HAS THE FILM CRITIC SOLD OFF HIS SOUL TO MARKET FORCES OR DOES HE STILL BRING A SPECIAL, ENRICHING PERSPECTIVE TO THE TABLE? 4Ps B&M'S MONOJIT LAHIRI PROBES THIS DELICATE TERRAIN WITH SOME ARTICULATE INDIVIDUALS

It started with a casual conversation regarding the forthcoming International Film Festival of India (IFFI) to be held in Goa, on the 23^rd (November 2011). Created to showcase the best of engaging & interesting Indian – and global – cinema, film festivals have always attracted the true-blue cognoscenti and cinema buff on the discerning kind, desperate to sample a life beyond Bollywood! Where there are film fests, can film critics be far behind? In to-day's world – especially with Bollywood booming and blitzing all over the place in all-consuming fashion-can a real committed, dedicated film critic ever hope to survive? Should he, under the circumstances, review and re-invent his role to be part-marketer, part-interpreter?

Respected, veteran Film Critic Saibal Chatterjee is first off the block with a zinger. “I don't think it's a question any-more, but a solid factual statement!” he says. In fact, he is of the firm belief that this breed – film critics – is slowly getting marginalised and residing mostly in the world of blogs or little magazines. “What you got today are mostly reviewers who dole out opinions that are reader-friendly, touching the surface areas of the film in a glamorous way. It is completely in keeping with the mood of the times where cinema is perceived as a product to be consumed by the largest volume of consumer, possible. So, marketing branding, advertising and promotion skills take precedence over knowledge, scholarship or insight. Pitching it right to be dumbed-down readership is the name of the game. In this scheme of things, where does the poor film critic feature?!” Chatterjee tells 4Ps B&M.

Communication specialist Bikram Ohri begs to differ. He believes that we live in nano-second times where reverence and sanctity to anything out in the public do-main needs to be reviewed. “Boss, movies in India are entertainment products. Can we please stop worshipping them, wait breathlessly for that magical 'Eureka moment' and cut to the chase?! The critics mandate today is clear: Blend commentary in a cutting-edge way that entertains as it enlightens. Also, please go easy on the heavies! As the great Hollywood Director Billy Wilder once said If you are lookin' for art, hell, go buy a Picasso. If you're lookin' to have fun and be entertained, hey, welcome aboard!” says Ohri. Joining the party is a noted film critic who refuses to formally participate or divulge her name for professional reasons.” It's all very well to talk about art, sensibilities and values but with the corporates entering the scene with their deep pockets, the equation within the systems and industry has dramatically changed. Film criticism, an intrinsic part of this universe, has been impacted as well. There are no two ways about it,” she tells 4Ps B&M.

Film Critic Mayank Shekhar brings his own spin to the table. “Some very novel things have happened in the last few years in the industry that has certainly impacted the role of the film critic. For one, there is this new entity called Trade Analyst. It is a vague term but this person seems to grab a lot of space in the electronic and mass media. It presupposes some kind of academic/scholastic background but it really is about ringing up distributors from all centers to get box office collection! Does that answer the definition of a film critic? Then there is the smart, sharp and subtle co-opting of some members of the fourth estate by Bollywood to ensure popular reviews and feel-good notices in the media,” says Shekher. He explains that all this is a byproduct of the huge budgets powering big-ticket Bollywood projects. Therefore the marketing machinery has to go full steam to reach, persuade and seduce the audience into seeing the film. “However all is not lost, but yes, it is a tricky and challenging calling!” he adds.

Film Director (of films like Shabd and Teen Patti) Leena Yadav doesn't buy into this argument at all and offers her own take. “Today, most so-called critics have no opinions – but agendas! I believe every film has something worth while to offer – photography, editing, background music, lighting, dialogues, supporting cast – but these are hardly given any importance,” says Leena. Ms. Yadav admits that she has zero problems with dissent and would respect a critic – even if she didn't agree with him/her – for their fresh, out-of-the-box, unique perspective. “I find this totally missing she ads. What better person than the Dada of the Parallel Cinema, Shyam Benegal, to wrap up this debate with his evolved and informed opinion. “Saibal is right. By and large, we have nor real film critics but reviewers with differing degrees of competence, knowledge and ability. There are excellent reasons for it,” he tells 4Ps B&M. Bengal is convinced that unlike the west there is a complete lack of encouraging Film Studies and Cinema culture, manifest in the complete blanking out of any art form by the establishment, corporates or publication houses, except as gestures of tokenism. “What you get is smartly-packaged hype catering to an audience that is driven by gloss, glitz and glamour rather than erudition, knowledge or gravitas. Do these guys influence public opinion? One brand of critics – especially in the electronic media – seems to be with their brash, aggressive, fast-talking glibmanship. It's clearly a sign of the times. The era of an Iqbal Masood or Chidananda Das Gupta is clearly over,” says Benegal.

The late Chidananda Das Gupta, whose chronicling of films – especially the Ray classics – were both enriching and educative, described film criticism as a calling that should be “less judgemental, more interpretative.” The 'Big Mamma' of American Film Critics Pauline Kael went one step ahead and defined it with rare simplicity: “A good critic is that rare artist who has the ability to transmit his knowledge and enthusiasm of his art to others.” Do these endangered species feature in today's space where the mantra seems to be: Salesman Film Critic Haazir Ho?!!

Pin It

FILM CRITIC AS MARKETER