Friday, July 12, 2013

CLIENT INTERFERENCE IN ADVILLE. DADAGIRI OR COLLABORATION?

4Ps B&M examines an issue that continues to plague the industry … but remains its worst kept secret! Is it normal industry practice or over-reactions from the creative dilettantes?

As a curtain-raiser, a brief flashback to what one of my earliest gurus – the late, iconic Subhash Ghoshal – told us when we were about to get started as trainees in the JWT Kolkata of the early 70s, would be in order. “We are in the service industry and exist only because of our clients. Never forget that.” He also made it clear that the jobs of the two were clearly demarcated. “Our job is to understand everything about his product and communication requirement and offer him cutting-edge need-based solutions. The client is to clearly define his needs and pose challenges that charge us to offer communication that catches lightning in a bottle!” Since creativity was the driving force, opinions – informed, focused, sharp, insightful as well as frivolous, stupid, dismissive, even downright rude – he warned us, would fly, but it was critical that we retain our cool and dignity befitting our role as good ambassadors of both JWT, and the profession. However, it was equally critical that we don’t “cave-in, sell-out or play yes-men to any/everything the client says because we are not suppliers but consultants – collaborators and equal-partners on the same side, united in the common agenda of informing, educating, persuading and selling the product/service to the target group.”

That was titan-speak, but today, in year 2013, does client-interference happen as frequently and does it still embrace the charming definition of “the insanity of barking when you have a dog!” Let’s face it, advertising – like Bollywood – is a nervous space, forever driven by frenzied guesswork, hunches, buzz, hearsay, whatever. Pecking to death a perfectly well-formulated and approved idea, is not unknown, nor the client “perching on our damn shoulders like some goddamned nagging conscience” as one fatigued creative put it. “They should stop being C-grade writers & art directors and concentrate on playing the role of an inspirational impresario instead,” adds another. Tongue-firmly in cheek, ex-JWT Creative Director Dulu Sen lets fly a zinger: “As the great H. G. Wells once wrote, no passion in the world is equal to the passion to alter someone’s draft!”

Power Grid’s Naresh Kumar fires the first salvo offering an interesting client-perspective. “The answer has to be a yes and no! Yes, because there are definite instances – both in the PSUs and private sector – where clients are more opinionated than professionally evolved and bring this to bear on the job. Due to this inadequacy, they prefer to play safe, toe traditional lines and go for consensus instead of taking the lead and responsibility to break new ground in terms of joint-collaboration towards creating meaningful, interesting yet relevant communications.” However, as an ex mass-com student with advertising agency experience, Kumar prides himself in being a thorough professional with a solid, two-decade experience of successfully handling the entire gamut of PSU communication portfolio. “This has resulted in awards and being recognised as a communication practitioner of real worth, enjoying high comfort levels with every Ad agency I have ever interacted with, leading to excellent work. We both know where we are coming from so there’s mutual respect, total transparency and zero bullshitting – something bound to happen when clients are clueless and opinionated allowing agencies to play shrewd supplier and move on,” he tells 4Ps B&M.

Next-up is Delhi-based agency Perfect 10’s Creative Director Moon Moon Dhar with her own take. “Client interference – especially in the PSU orbit – frequently happens when the wires are crossed!” She explains that many times the key honchos representing clients at a presentation are not from the communication discipline and therefore lack the required understanding, perspective, direction or appreciation of this special calling. They bring technical or financial aspects which – usually – are irrelevant to the presentation focus and confuse the issue. Sometimes, they insist that these elements be incorporated … and agencies give in because they feel its not worth fighting for. “Look, we are not here to change the world. It’s often no more than just a dumb job for a dumb client! However, there have been instances when clients have been brilliantly pro-active and their inspirational direction, guidance and mentoring have resulted in magic! Alas, these are few and far between…” she tells 4Ps B&M.

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Thursday, May 16, 2013

DO SLOGANS WORK?

IS THE SLOGAN DYING IN TODAY’S AD-LAND?

Consulting Editor 4Ps B&M Monojit Lahiri questions the relevance of slogans in today’s era, and, umm, tastes the thunder


Once upon a time, slogans & advertising were truly the made-for-each-other blend, indeed as perfectly matched as the iconic Wills Filter template created for the ITC brand of the sixties! In 2013, do slogans have the same, compelling draw, enticement-value or fun-factor that they once enjoyed? A significant bunch of ad-watchers and trackers believes that many of the big brands don’t consider it necessary or cool to fall back on slogans anymore, considering it both hackneyed and horribly predictable. They believe that readers, viewers and listeners have moved on to a more communication-savvy and literate space where visual/aural devices and linkages are more impactive than the [y-a-w-n] catch-lines. Others disagree and believe that if slogans are intelligently and creatively fused into the brand promise, they will continue to both rock n’ roll! So what gives?

Lloyd Mathias – a brilliant, marketing practitioner who has done valuable time in Pepsi, Motorola and Tata and presently director of the Gurgaon-based Green Bean Ventures – believes that there’s been a sea-change in the very nature of the beast. “Across the 60s, 70s, even 80s, print and radio were pretty much the prime media drivers, where slogans naturally lent themselves as seductive and entertaining persuaders. However, with the advent of the TVC and now Digital, the entire scenario changed as did the perceptions of media consumption. While it didn’t totally dump the slogan to the trash can, it called for a review. Pepsi is a classic case in point where, from Yehi hai right choice baby to Dil maange more to Yeh pyaas hai badi to the latest Oh, Yes, Abhi, the transition has been organic and effective.”

Ogilvy’s cool dude creative maverick Sumanto Chattopadhyaya agrees. “Mathias is spot-on. Audio-visual & Digital have truly changed the rules of the game and ushered in a paradigm shift where visual/aural devices and linkages come through with greater enthusiasm and acceptance. However, intelligently and insightfully leveraged, slogans can still be both effective and memorable, aiding the end game in the business of influencing purchase intent.” The Bandera look-alike cites the example of Ogilvy’s Asian Paints Sunil Babu and loves Hoodi Baba as interesting examples of taking the concept of slogans and onomatopoeia to another level as also the outstanding example of Airtel’s Har ek friend zaroori hota hai (now, adapted in a movie title as Har ek friend kameena hota hai!) in celebrating the role and relevance of a great slogan. Ad and theatre hot-shot Bharat Dabolkar laughs and insists on using strong words. “Any dumbo who believes that the slogan is dead is talking nonsense and is obviously communication-illiterate! Never has it been more important than today when product parity and me-too-ism is rampant, since the USP is dead and buried. Slogans are [and have always been] the great differentiators, be it the timeless Utterly butterly delicious of Amul, the Har ek friend of Airtel or I love you, Rasna. Didn’t the late Mrs.Gandhi and more recently Barack Obama sweep popular imagination with their mesmeric slogans, Garibi Hatao and Yes, I Can respectively? Not slogans, but creativity is dead, my friend!” Shruti Gupta finds Dabolkar’s argument “both quaint and typically old-fashioned in keeping with his generation’s mindset. It’s not value judgement but facts that prove that new-age manufacturers and consumers of communication – across all avenues – don’t exactly get all dreamy eyed by slogans like their dads did in a more simplistic, non-cluttered and competitive time. Sure, slogans are used, but it’s not a sacrosanct rule and not at all compulsory.” The 27 year old Mumbai-based graphic designer believes that advertising has truly moved on and visual/aural devices offer equally potent, exciting and effective options. The Titan and DoComo signature tunes are brilliant examples of aural linkages that are creative and offer endless audience delight. “Oh really?” counters Shubhra Tandon of FCB, Ulka. The 27 year old copywriter reels off endless examples of stunning slogans that remain etched in memory. Starting with Taste the thunder and Dar ke aage jeet hai, Daag achhe hain, Har ghar kuch kehta hain, Definitely male, Swad zindagi ka, Thanda matlab Coca Cola, and more.

Halt! So who’s winning? If a slogan is about a brand pithily summed up and encapsulated with words which slam home the proposition in an engagingly entertaining manner that evokes a clear thought about the brand, isn’t that purrfect and cool? If, on the other hand, it appears too restrictive and suffocating, has done time, outlived its utility and needs to be put to rest while being replaced by a solid visual/aural device, should it incur the wrath of the purists, all set to leap out of mothballs or graves – whichever came first – and howl invectives about corrupting a sacrosanct template? For a safe answer, I will go to two classic slogans and invite the adwallahs to not “think small” and to “just do it”! Amen.

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Friday, April 19, 2013

csr as agent of change

CSR – TOKENISM, PR, drama... OR GAME CHANGER?

4Ps B&M examines the real potency that powers these three noble alphabets and arrives at some rather interesting conclusions


In the beginning come the definitions. First off the block is a true-blue pundit, C. B. Bhattacharya (E.ON Chair Professor in Corporate Responsibility at European School of Management Technology in Berlin) who believes CSR is “an exploration of marketing strategies and consumer behaviour that demonstrates how under-leveraged intangible assets like corporate identity and reputation, membership and brand communities can strengthen shareholder relationships”. He believes it is a dynamic fusion of doing good with doing well and business value can be reaped if organisations are prepared to move from a shareholder-centric space to a stakeholder-centric one. Another suggests that CSR is really about “strategically positioning a company in society so that it can actually take advantage of public concerns like poverty or global warming, rather than be damaged by them”.

Economist Swaminathan S. Anklesaria Aiyar pooh-poohs this, begs to differ and quotes (in his website http://swaminomics.org/) columnist Chrystia Freeland’s take on CSR as “a fetish encouraged by the philanthropies that feed off it and funded by the corporate executives who have found that it serves their bottom line”. Social Commentator Santosh Desai joins the party with an interesting anecdote about a company’s head honcho sending a truck load of relief material to the Bhuj earthquake victims worth Rs.10 lakhs and wanting to create a campaign to announce this, worth Rs.3 crore! “He saw no contradiction and instead believed it was a legitimate platform for his brand, powering a pro-active marketing initiative that could enjoy great emotional rub-off and position his company as a warm, human and empathic corporate entity. It seemed to be a part of the corporate video game where rules of the real world don’t apply. It’s all about a great opportunity to communicate brand value,” Desai tells 4Ps B&M.

Veteran Ad Guru Alyque Padamsee moves away to openly confess that he is a tad bored by the killjoys and cynics that dot the Adfrat and prefers to see the brighter side of issues. “Agreed CSR initiatives may not always accomplish all that they wish to, but it’s not the intent that is at fault, but monitoring system. Be it government or private sector biggies, if these are carefully attended to and addressed, all would be fine,” says Padamsee. He also believes that if done well, it definitely helps image-building and giving corporates and government/PSUs a warm, human face.

Theatre Director, Actor and Communications Expert Avijit Dutt brings his take to the table. He wonders whether in today’s space “CSR is a mission or corporate ego at work”! He believes that these three alphabets are seductive buzzwords gathering momentum in a consumerist environment. True charity is (according to the Upanishads) where the giver neither remembers nor reminds us of the amount given “but here trumpets blow, even if in mute tone, to announce this fact. The government’s mandate for all companies to spend 2% of their PAT makes it even more directionless. Earlier CSR was the nature of voluntary action that business could take, clearly defining the intent of companies desiring to cut loose and go the extra mile. But now…”

Chairman & NCD of BBDO wraps up this debate, in style. Josy Paul is of the opinion that “true integration is when the idea integrates with society”. He believes creating acts not ads is the need of the hour and CSR is not something that you do as an add-on, but integral to the brand. He cites the example of their Aviva Life Insurance effort with their humongous act called Great Wall of Education. “This catapulted into a movement mobilizing people across the country to donate books and ended up collecting over 2.5 million books! Call it CSR, brand communication, whatever, it’s about communication being rooted in the social and cultural moment,” Paul tells 4Ps B&M. Gillette’s “Soldiers Wanted” and Tata Tea’s “Jago Re” campaigns, Paul believes, are two more commendable strikes in this direction and adds that it also includes ground action and online engagement.

So, finally does CSR rock in today’s times? It’s like this. No company exists in a vacuum. It operates in a society and its impact/behaviours – ethical, social, economical, environmental – will be open to criticism and scrutiny. Today’s societies demand more film co-operation than simply offering products and making profits. They expect that they trade fairly, uphold human rights, and protect the environment. CSR pundits believe that there are three points to it – charitable giving, community investments, and commercial initiatives. ITC Chairman, Y. C. Deveshwar (in a 2007 AGM) had pronounced the final words with passion and purpose: “Corporates in India have capability, vision and entrepreneurial skill to forge a more prosperous future for the nation, even as they sharpen there competitiveness and grow there business globally.”

However, in a world increasingly obsessed in knowing the price of everything but the value of nothing, this calling, function, corporate philanthropy, mandate or strategic commodity that adds to the credentials of a company, remains an area that, beyond rhetoric, will ultimately be saluted or scorned totally by its intent and impact. Nothing more. Nothing less.

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Saturday, March 16, 2013

GENDER SENSITISATION

CAN ADVERTISING REALLY PROMOTE GENDER SENSITISATION?

The Indian Chapter of the International Advertising Association (IAA) has recently launched a gender sensitisation initiative to fundamentally change the societal attitude towards women. But, the big question remains:


It was the horrific Nirbhaya case of mid-Dec last year that truly unleashed an unprecedented, collective outpouring of shock, rage, fear and grief that had to be seen to be believed! The trauma and tragedy that defined the mind-chilling incident elicited widespread reactions across every strata of society, at home and abroad. Some of the most explosive pieces squarely put the blame of this heinous act on media – cinema, TV, advertising – for consistently (and shamelessly) portraying women as delectable objects of consumption and desire. Be it Fevicol (mein to tandoori murgi hoon yaar, gatkale saiyan alcohol se) or the amazing glam, sexy, designer other woman in TV serials, or again the impossibly hot babe who axes you and compels you to use Man-force to go the distance – the portrayal of women across popular media streams remains flamboyantly irresponsible and dangerously titillating.

While the big daddys of media will (as always) continue to offer their age-old, mothballed and musty line of “Don’t shoot us, we’re only the piano players” (to read: we only reflect what is happening in society, not creating or pre-empting it), the critics insist it’s just their way of shirking responsibility to cleverly tap into the baser instincts of a humongous target group, diverse and broad-based as hell, and rake in the loot.

The Indian Chapter of the International Advertising Association (IAA) seems to have taken this red-hot issue by the horns and launched an aggressive initiative to stop violence on women (VOW). A powerful and persuasive communication tool that is mandated to inform, educate, persuade and sell, Advertising as a CSR (corporate social responsibility) activity can and does act as a mover n’ shaker of popular beliefs and mindsets, showing the light if not parting the waters. Under the initiative, IAA hopes to kick-start a series of one-day gender sensitisation seminars for people from film, advertising, TV, print and script-writing areas. The second phase of this initiative will comprise a contest to create a multi-media campaign addressed to the mother of all – eve teasing. The jury will consist of eminent personalities from and outside the adfrat.

Kaushik Roy (Chairman, IAA Public Service Committee and President, Brand Strategy & Marketing Communications, Reliance Industries) believes this is an important thrust because “TV has tremendous impact and reinforces stereotypes while portraying women. IAA plays an effective role in advocating self-governance” and backs it up by indicating the complete blackout of cigarette advertising as an example. So will this gender sensitisation, IAA-driven seminars work … or are they yet another example of Adville posturing through hi-fallutin’ platitudes, to show people how much they care?

Theatre & Film Director Feroz Abbas Khan (of Tumhari Amrita, Saalgiraah, Gandhi My Father fame) can’t resist a snigger before he takes off. “Boss, it’s advertising’s spin on ... advertising!” He elaborates: “Specialists in hypocrisy and double talk, this lot are champions of manipulating emotions and tapping into that vulnerable space between the heart. The brand-building gurus are most anxious to build their own brands, be perceived as the caring, responsible, good guys on the right side of the political divide! If they were really so concerned about right and wrong, wouldn’t at least one person raise his/her hand to veto campaigns against the insulting and regressive Fair & Lovely range of lotions, creams and cosmetics? They dare not because conscience doesn’t stand a chance against market forces!” Khan believes that schizophrenia is the new normal in today’s consumerist society and these seminars are nothing but PR exercises for the group that has initiated them.

BBDO Chairman & Chief Creative Honcho Josy Paul, up next, offers his informed take. He believes that any talk, discussion – water-cooler, bus-stop, cocktail party, student canteen – is better than no-talk. “Instead of looking at the ball, why not go out there and kick it, pass it to another and watch the amazing action that follows,” Paul tells 4Ps B&M. He talks passionately about a recent campaign (Gillette Soldier for Women) that his agency unleashed through TVCs. “We used the signature slogan, The Best a Man Can Get, as a metaphor, an agent of change to drive men to re-think their role in the world of women. If you stand up for them, they will stand up for you. This ad is just a curtain-raiser. There is huge follow-up action on the anvil in terms of partnering/collaborating with a wide range of like-minded groups like NGOs etc. It’s not a campaign, but a movement,” adds Paul.

However, Roy winds up the debate in a positive way. “I believe there is a change that is happening and advertising agencies and their clients are aware about the opportunities that lie in doing gender sensitive advertising. The recent ad for a fan brand where the husband chooses to adopt the wife’s surname rather than changing hers is a great example. It’s a stand-out ad and manages to connect with the brand benefit with the line – hawa badlegi. I therefore have full faith in the advertising community to do something constructive because the winds of change are visible,” says Roy.

At the end of the day, it’s a tough call. Communication of the CSR, public service & societal upliftment variety have happened before but seldom had any impact worth noting or remembering. Why? Critics believe these exercises invariably get into creative, ego-tripping, self-indulgent mode offering ads admired by their zonked-out peers, but largely ignored by most due to confusion and bewilderment. While it’s too early to be judgmental about the IAA’s well-meaning VOW seminars and unfairly dismiss them as dramabaazi, the true followers of this programme – always giving the IAA benefit of doubt – will hope that this well-intended and much-publicised initiative involving important groups does not end up lip-synching the letter instead of embracing, powering and living the spirit.

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