Friday, April 19, 2013

csr as agent of change

CSR – TOKENISM, PR, drama... OR GAME CHANGER?

4Ps B&M examines the real potency that powers these three noble alphabets and arrives at some rather interesting conclusions


In the beginning come the definitions. First off the block is a true-blue pundit, C. B. Bhattacharya (E.ON Chair Professor in Corporate Responsibility at European School of Management Technology in Berlin) who believes CSR is “an exploration of marketing strategies and consumer behaviour that demonstrates how under-leveraged intangible assets like corporate identity and reputation, membership and brand communities can strengthen shareholder relationships”. He believes it is a dynamic fusion of doing good with doing well and business value can be reaped if organisations are prepared to move from a shareholder-centric space to a stakeholder-centric one. Another suggests that CSR is really about “strategically positioning a company in society so that it can actually take advantage of public concerns like poverty or global warming, rather than be damaged by them”.

Economist Swaminathan S. Anklesaria Aiyar pooh-poohs this, begs to differ and quotes (in his website http://swaminomics.org/) columnist Chrystia Freeland’s take on CSR as “a fetish encouraged by the philanthropies that feed off it and funded by the corporate executives who have found that it serves their bottom line”. Social Commentator Santosh Desai joins the party with an interesting anecdote about a company’s head honcho sending a truck load of relief material to the Bhuj earthquake victims worth Rs.10 lakhs and wanting to create a campaign to announce this, worth Rs.3 crore! “He saw no contradiction and instead believed it was a legitimate platform for his brand, powering a pro-active marketing initiative that could enjoy great emotional rub-off and position his company as a warm, human and empathic corporate entity. It seemed to be a part of the corporate video game where rules of the real world don’t apply. It’s all about a great opportunity to communicate brand value,” Desai tells 4Ps B&M.

Veteran Ad Guru Alyque Padamsee moves away to openly confess that he is a tad bored by the killjoys and cynics that dot the Adfrat and prefers to see the brighter side of issues. “Agreed CSR initiatives may not always accomplish all that they wish to, but it’s not the intent that is at fault, but monitoring system. Be it government or private sector biggies, if these are carefully attended to and addressed, all would be fine,” says Padamsee. He also believes that if done well, it definitely helps image-building and giving corporates and government/PSUs a warm, human face.

Theatre Director, Actor and Communications Expert Avijit Dutt brings his take to the table. He wonders whether in today’s space “CSR is a mission or corporate ego at work”! He believes that these three alphabets are seductive buzzwords gathering momentum in a consumerist environment. True charity is (according to the Upanishads) where the giver neither remembers nor reminds us of the amount given “but here trumpets blow, even if in mute tone, to announce this fact. The government’s mandate for all companies to spend 2% of their PAT makes it even more directionless. Earlier CSR was the nature of voluntary action that business could take, clearly defining the intent of companies desiring to cut loose and go the extra mile. But now…”

Chairman & NCD of BBDO wraps up this debate, in style. Josy Paul is of the opinion that “true integration is when the idea integrates with society”. He believes creating acts not ads is the need of the hour and CSR is not something that you do as an add-on, but integral to the brand. He cites the example of their Aviva Life Insurance effort with their humongous act called Great Wall of Education. “This catapulted into a movement mobilizing people across the country to donate books and ended up collecting over 2.5 million books! Call it CSR, brand communication, whatever, it’s about communication being rooted in the social and cultural moment,” Paul tells 4Ps B&M. Gillette’s “Soldiers Wanted” and Tata Tea’s “Jago Re” campaigns, Paul believes, are two more commendable strikes in this direction and adds that it also includes ground action and online engagement.

So, finally does CSR rock in today’s times? It’s like this. No company exists in a vacuum. It operates in a society and its impact/behaviours – ethical, social, economical, environmental – will be open to criticism and scrutiny. Today’s societies demand more film co-operation than simply offering products and making profits. They expect that they trade fairly, uphold human rights, and protect the environment. CSR pundits believe that there are three points to it – charitable giving, community investments, and commercial initiatives. ITC Chairman, Y. C. Deveshwar (in a 2007 AGM) had pronounced the final words with passion and purpose: “Corporates in India have capability, vision and entrepreneurial skill to forge a more prosperous future for the nation, even as they sharpen there competitiveness and grow there business globally.”

However, in a world increasingly obsessed in knowing the price of everything but the value of nothing, this calling, function, corporate philanthropy, mandate or strategic commodity that adds to the credentials of a company, remains an area that, beyond rhetoric, will ultimately be saluted or scorned totally by its intent and impact. Nothing more. Nothing less.

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Saturday, March 16, 2013

GENDER SENSITISATION

CAN ADVERTISING REALLY PROMOTE GENDER SENSITISATION?

The Indian Chapter of the International Advertising Association (IAA) has recently launched a gender sensitisation initiative to fundamentally change the societal attitude towards women. But, the big question remains:


It was the horrific Nirbhaya case of mid-Dec last year that truly unleashed an unprecedented, collective outpouring of shock, rage, fear and grief that had to be seen to be believed! The trauma and tragedy that defined the mind-chilling incident elicited widespread reactions across every strata of society, at home and abroad. Some of the most explosive pieces squarely put the blame of this heinous act on media – cinema, TV, advertising – for consistently (and shamelessly) portraying women as delectable objects of consumption and desire. Be it Fevicol (mein to tandoori murgi hoon yaar, gatkale saiyan alcohol se) or the amazing glam, sexy, designer other woman in TV serials, or again the impossibly hot babe who axes you and compels you to use Man-force to go the distance – the portrayal of women across popular media streams remains flamboyantly irresponsible and dangerously titillating.

While the big daddys of media will (as always) continue to offer their age-old, mothballed and musty line of “Don’t shoot us, we’re only the piano players” (to read: we only reflect what is happening in society, not creating or pre-empting it), the critics insist it’s just their way of shirking responsibility to cleverly tap into the baser instincts of a humongous target group, diverse and broad-based as hell, and rake in the loot.

The Indian Chapter of the International Advertising Association (IAA) seems to have taken this red-hot issue by the horns and launched an aggressive initiative to stop violence on women (VOW). A powerful and persuasive communication tool that is mandated to inform, educate, persuade and sell, Advertising as a CSR (corporate social responsibility) activity can and does act as a mover n’ shaker of popular beliefs and mindsets, showing the light if not parting the waters. Under the initiative, IAA hopes to kick-start a series of one-day gender sensitisation seminars for people from film, advertising, TV, print and script-writing areas. The second phase of this initiative will comprise a contest to create a multi-media campaign addressed to the mother of all – eve teasing. The jury will consist of eminent personalities from and outside the adfrat.

Kaushik Roy (Chairman, IAA Public Service Committee and President, Brand Strategy & Marketing Communications, Reliance Industries) believes this is an important thrust because “TV has tremendous impact and reinforces stereotypes while portraying women. IAA plays an effective role in advocating self-governance” and backs it up by indicating the complete blackout of cigarette advertising as an example. So will this gender sensitisation, IAA-driven seminars work … or are they yet another example of Adville posturing through hi-fallutin’ platitudes, to show people how much they care?

Theatre & Film Director Feroz Abbas Khan (of Tumhari Amrita, Saalgiraah, Gandhi My Father fame) can’t resist a snigger before he takes off. “Boss, it’s advertising’s spin on ... advertising!” He elaborates: “Specialists in hypocrisy and double talk, this lot are champions of manipulating emotions and tapping into that vulnerable space between the heart. The brand-building gurus are most anxious to build their own brands, be perceived as the caring, responsible, good guys on the right side of the political divide! If they were really so concerned about right and wrong, wouldn’t at least one person raise his/her hand to veto campaigns against the insulting and regressive Fair & Lovely range of lotions, creams and cosmetics? They dare not because conscience doesn’t stand a chance against market forces!” Khan believes that schizophrenia is the new normal in today’s consumerist society and these seminars are nothing but PR exercises for the group that has initiated them.

BBDO Chairman & Chief Creative Honcho Josy Paul, up next, offers his informed take. He believes that any talk, discussion – water-cooler, bus-stop, cocktail party, student canteen – is better than no-talk. “Instead of looking at the ball, why not go out there and kick it, pass it to another and watch the amazing action that follows,” Paul tells 4Ps B&M. He talks passionately about a recent campaign (Gillette Soldier for Women) that his agency unleashed through TVCs. “We used the signature slogan, The Best a Man Can Get, as a metaphor, an agent of change to drive men to re-think their role in the world of women. If you stand up for them, they will stand up for you. This ad is just a curtain-raiser. There is huge follow-up action on the anvil in terms of partnering/collaborating with a wide range of like-minded groups like NGOs etc. It’s not a campaign, but a movement,” adds Paul.

However, Roy winds up the debate in a positive way. “I believe there is a change that is happening and advertising agencies and their clients are aware about the opportunities that lie in doing gender sensitive advertising. The recent ad for a fan brand where the husband chooses to adopt the wife’s surname rather than changing hers is a great example. It’s a stand-out ad and manages to connect with the brand benefit with the line – hawa badlegi. I therefore have full faith in the advertising community to do something constructive because the winds of change are visible,” says Roy.

At the end of the day, it’s a tough call. Communication of the CSR, public service & societal upliftment variety have happened before but seldom had any impact worth noting or remembering. Why? Critics believe these exercises invariably get into creative, ego-tripping, self-indulgent mode offering ads admired by their zonked-out peers, but largely ignored by most due to confusion and bewilderment. While it’s too early to be judgmental about the IAA’s well-meaning VOW seminars and unfairly dismiss them as dramabaazi, the true followers of this programme – always giving the IAA benefit of doubt – will hope that this well-intended and much-publicised initiative involving important groups does not end up lip-synching the letter instead of embracing, powering and living the spirit.

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Friday, February 15, 2013

INDIANNESS IN ADVERTISING

HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indian advertising is coming from and what really reflects our work, mindset & vision, effectively?


When you talk of Indian cinema to purists, the names and work of Ray, Sen, Ghatak, Benegal, Nihalani, Adoor and a host of class acts from regional cinema zoom into focus. Similar models are identified when talking of books, music, dance, etc. However, Indian advertising presents confusion! Is it stuff where the look and feel of the communication is desi? Is it about Hinglish that seems to be the new lingo of tons of our ads across the last three decades? Are food, clothes, body language and ambience defining points of advertising that portray Bharat – not India – as the essence of Indian advertising or is it the churn, the ephemeral quality of life in this new India that best symbolizes this point?

Senior Writer of Kolkata-based Magnum Intergraphics, Mitali Lahiri, is first off the block. “There is no one definition of Indian advertising simply because Indian advertising is as Indian – or non-Indian – as the Indian consumer,” Mitali tells 4Ps B&M. She goes on to explain that the Indian consumer of today is a highly hybrid creature, embracing both, East & West. Globalisation and rampant, infectious consumerism has effected a paradigm shift in overall mindset and consumption patterns. Further, the phenomenon of the ‘working woman’ and technology has put into motion a whole new lifestyle where speed with quality is the new mantra. In the FMCG universe, as also a host of other categories, this rules. Sure, these are not totally Indian (clothes, fashion, accessories, food, communication gadgets) influences – but who cares? “However, values are a more tricky issue, with morality and levels of acceptable permissiveness in this changing space, constantly under threat. Advertising reflects all of this, sometimes taking sides to push its agenda of influencing a sale.” At the end of the day, Mitali believes, “we ourselves have become products of the times we live in, navigated or manipulated by the persuasion industry.”

Social Commentator Santosh Desai is brief and incisive as ever. “It has to do with understanding the sub-text, nuances and layers that powers a deep and serious connect with your consumer in a language and imagery that is spontaneous, not contrived,” he tells 4Ps B&M. Desai believes that there’s a lot of stuff masquerading as Indian advertising is really nothing but “global hand-me-downs in their format with Hinglish inserted for desired effect. This is lazy, short-cut advertising, even politically correct but way off-line regarding target-connect.” However, he freely admits that there is a fair body of work that represents fine examples of this genre.

Spewing venom & fire and totally slinging every single favourable comment is hi-profile, internationally reputed, Delhi-based Painter Jatin Das. “We live in a world where mimics & fakes, shamelessly imitating everything the West does, dominate the public space! Every single (cherished, rich) art form has been hi-jacked by western values which are perceived to be modern and superior. Few kids care to know their mother tongue, long hair is considered Behenji and Fair & Lovely syndrome (they should be put behind bars for their insulting & regressive mindset!) booms across metros, big and small. The new toys of engagement are iPads and iPhones. In such a pathetic environment, why should ads ever reflect anything else? Indian advertising is a phirang, sexy model dressed up in rich, traditional, Indian bridal, finery – the most alarming form of tokenism,” Das tells 4Ps B&M.

Respected and revered photographer Raghu Rai begs to differ. “Piyush Pandey’s Fevicol Bus ad is a masterpiece and is only one of the many wonderful samples of true Indian advertising. Indian roots embracing a charming, universal vision. I also love the bindaas, on-the-ground humour that many ads toss out. As for Hinglish, isn’t that the lingua franca of today’s youth? Good communication is about understanding and re-defining the buzz on-the-street in an interesting, customer-friendly way,” says Rai. His only grouse is about using phirang models as he questions “Chal yaar, our women are so gorgeous. Why those white-skinned females?”

Marketing whiz Lloyd Mathias (Former President & CMO, Tata Teleservices) brings his own spin to the table. He believes it’s a brilliant and appropriate case of: The Empire Strikes Back! “A new breed of client and agencies today live the defining slogan of Dil Maange More! Totally slinging out the Anglocentric model of yesteryears, Piyush, Prasoon and gang read the writing on the wall and scripted their own idiom in perfect sync with the new-age consumer. Language, images, look, feel, setting, situations – everything powerfully illustrates the Phir Bhi Dil Hai Hindustani model, full-on. Airtel, Cadbury, Britannia, Dominos, Maruti, Havells, Sprite, Idea … demonstrate this with style and confidence. No wonder global clients have dropped their accents and moved to a desi makeover,” Mathias tells 4Ps B&M.

At the end of the day, I will go along with Kanchan Dutta’s (CEO, Kolkata based Inner Circle) POV. Life in general and certainly in today’s times is indeed ephemeral in the space we reside … so why should advertising be any different? Whether it preempts, reflects or follows the times is another debate but good, effective and honest advertising will always seek to capture the soul before it conquers the body … and this it can only do when recognizing, understanding and connecting with the critical area of human insights. India is changing. The consumer is changing. The environment and marketspace – complex and riddled with contradictions – are changing. Why should Indian advertising be any different…? More power to its blazing journey, future wards …

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Friday, January 18, 2013

THE ALPHA PUP

Guess who’s the INDIAN MARKETER’S NEWEST CHALLENGE? THE ALPHA PUP!

4Ps B&M examines the challenges & opportunities that these little dynamites offer to the communication pundits and checks out whether they are on the same, page, chapter, book!

“A riddle wrapped in a mystery inside an enigma” is how the great iconic British Prime Minister Winston Churchill was once reported to have described Russia. In year 2013, bewildered marketers and communication professionals could well be tempted to borrow that description wholesale, to describe their most challenging target-base … kids! A maddeningly fickle and unpredictable demographic segment whose minds are extremely difficult to enter, marketers continue to grapple with a constituency whose influence on the purchasing intent / decision is increasingly getting bigger by the second!

In short, Pester Power (and other forms of insidious badgering, nagging, coaxing and blackmailing etc) as a means to persuade and convince parents to buy is an area, which to enter, is no child’s play. New parameters need to be drawn if this tsunami is to be understood, tamed and steered in the right direction. Point is: Have the blinkered, tunnel-viewed, rigid marketing and communication people even begun to understand the sub-text, nuances and subtleties that layer this endeavour? Do they have the appropriate skill-set to decode and swing it, their way?

However, before hitting the market, why not peep into the lives of one community, that is totally involved, connected and aware of this phenomenon, first-hand, every day … the Moms! Admits 26-year-old, Delhi-based working mother Seema Sen (who has an angelic 5-year-old daughter, Mishti) that life is far from heavenly! “She is just 5 but madam has a mind of her own! Clothes, food, snacks, cold drinks, TV programmes, outing spots, even friends, cousins, relatives – she has definite preferences and it’s a job to get her to change her mind! At 5, I was a Puppet!” says Seema.

Mumbai-based, 30-year-old Belinda Fernandes understands Seema’s predicament totally. The homemaker has two live-wire boys aged 9 and 7 and freely states that “going bonkers or grey is no longer an option!” She says, that “thanks to TV and the digital wave, my brats have more knowledge and opinions about … everything … about which I (comp-illiterate) am clueless! Only when I yell who’s the Boss comes into play. Parenting today is no child’s play!”

Social Commentator Santosh Desai urges us not to dismiss this as frivolous and take a big reality-byte. “We live in a completely different, technologically and digitally-driven time and are – willy-nilly – creatures of the age of consumption. Kids are hotter and hippier with the new lingo and jargons of this phenomenon and therefore cooler with it,” Desai tells 4Ps B&M. Hence they are forever tuned-in or logging-out of the latest trends in this space. In this KGOY (Kids Getting Older Younger!) environment soft toys and old-fashioned board games (Ludo, Snakes & Ladders, Carrom) are dumped for iPad, iPod etc. They are much more clued-in too, about products that go well beyond the usual (clothes, sweets, toys and movies) range. Today cars, mobile phones, DVD players – among other adult purchases – zoom into the radar too with alarming speed! No wonder a recent Disney’s KidSense survey indicated over 60% kids discussing products mentioned above with their parents / elders. Also, smart parents turn to their techno-savvy kids for insights and info before the decision-making process.

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