Thursday, May 07, 2009

STRANGE BEDFELLOWS?!

4Ps B&M's Monojit Lahiri almost reaches for the smelling salts while attempting to decode this new, never-before connect between two completely different entities – Adland & PSUs!

Advertising and Public Sector Units (PSUs) have always been the perfectly unmatched jodi! Jargon-flashing and deeply entrenched in the business of brand-building, strategising, brainstorming and generally leveraging creativity as that critical catalyst that makes a difference, hot-shot ad agencies have always perceived the PSU universe as deadly dull, boring, format-specific (5 pics of politicians, a corny headline, some facts and figures… ugh!) and stayed away. Where was that opportunity to fly with an idea that was truly creative and transformational? Where was that need to use cutting-edge communication to entertain, enlighten and empower? It was all so one-dimensional, tame and listless… So, suddenly (in the last couple of years) why this change of heart for ad agencies? Why this sudden, collective dash to empanel themselves with PSUs? Have PSUs become communication savvy overnight? Have ad agencies realised that acting snooty and arrogant is their loss? What?

Chetan Varma of PowerGrid Corporation of India Ltd. analyses the situation and says, “I think we reside in two different worlds and if this fact is not understood and their normal FMCG perspectives are applied, it would spell disaster. That’s what it was with our earlier agency.” He adds that the present one has demonstrated a genuine desire to understand their culture and communication needs and therefore, is in a better position to deliver. He also believes that the Top 20 agencies should look at PSU advertising both as a challenge and an opportunity, only then would they be able to adapt and perform. But regarding adland’s sudden move to PSU zone, Varma admits that it has to do with change in the PSU mindset. “We are into reality checks too and competition is making us look at communication as a critical ally.

NTPC’s T. S. Rajpoot also agrees, “It’s true. Our empanelment process is on and we find quite a few top agencies, who wouldn’t condescend to even look our way earlier, pitching energetically. How times change!” Apart from changed mindsets, both Varma and Rajput are of the opinion that the R-word has played the biggest part. All the bravado, posturing and big talks is fine but at the end of the day, when funds take a hit, its wake-up-and-taste-the-coffee time! “Our portfolios may not be as sexy as the FMCG lot, payments (sometimes) maybe delayed too, but they will definitely be paid. No ad agency has ever not got its fees from PSUs.”
 
Ad consultant, Jo Sachdev, however, brushes these off with all the arrogance that his 28 years allow. “All this is hogwash! If the biggies are evincing interest, its not because the PSUs have suddenly seen the light and turned professional. It’s because many agencies have taken a bad hit in terms of ad-budget cuts or lost money with clients and therefore realised its better to be safe than sorry – and great adrenaline-pumping work be shoved in the freezer, temporarily!” Sachdev openly challenges the PSU guys to throw up even six really good campaigns in recent times. “Apart from the odd SAIL & Air India ads, nothing truly fantastic comes to mind. This is all delusion of grandeur!”

The BHEL Corporate Communication team begs to differ. While they agree that earlier communication may not have enjoyed great professional attention, the early nineties – opening of the economy – marked a turning point! “All sensible PSUs saw the writing on the wall and made genuine efforts to re-invent themselves in terms of corporate persona because they categorically understood that in the age of competition, image did matter.” This impacted the way they looked at communication and their interaction with their vendors. Today the finest corporate film makers and exhibition specialists are keen to work with BHEL because they believe that they are very particular about quality. However, the BHEL group argue that “the biggest reason could be the slowdown. Safe, reliable and sure-shot payment of bills can be the most reassuring of all attributes in today’s scary wish-list of the recession-hit ad land. No two-ways, there!”

ITPO’s Soma Chakravarty agrees. “PSUs have covered a lot of distance in the last few years and have consciously striven to be in the zone. At ITPO, the entire team remains focused and committed to connect only with ad agencies who understand our basic vision and mission and execute the given task with quality and speed.” While she agrees that there are limitations, she believes that everything can be surmounted if professionalism plays a starring role.

At the end of the day, it’s not so complicated. Some of the biggest names in the PSU universe have indeed over time made effort to professionalise, if they wanted their vendors to respect them. The larger, FMCG-driven agencies (for their turn), have also pulled back to have a fresh look at the big picture and figured that broadbasing their bandwidth to connect meaningfully with this lot would be profitable. Also, the smarter shops realised that instead of mocking them or pulling them down, trying to understand the PSU’s special and different brand of communication needs and delivering the goods, might be a better idea.

And sure, the slowdown really helped this cosying up. Is marriage on the cards? Wait n’ watch... Picture abhi baaki hai, mere dost! 

Share/Bookmark

Thursday, April 23, 2009

Does Creativity have an Expiry Date?

4Ps B&M's Monojit Lahiri quizzes a cross section of people from the ad and film world...

“Come, grow old with me. For the best is yet to be,” spouted dada Shakespeare. Quirky, edgy genius Woody Allen marched to a different beat. “When I told my 15-year- old kid some years ago that I planned to visit the museums in Rome, she said, make sure you keep movin’ pops … or they might mistake you for an exhibit!!” So what is old (read: anything over 40) age: Blunder years? In a country where 44% of the population is said to be under 25, is old more cold than gold? Extending the logic, is ‘creativity’ then, most definitely, given an expiry date? Has grey-haired eminence and wealth of experience, been suddenly (and dramatically) shoved into the dustbin, considered irrelevant and useless? Does all this get even more magnified in a here n’ now profession like advertising where new-age fads and trends, powered by nano-second technology, demand being in-the-loop all the time to seduce the impatient, promiscuous and impulsive youth market?

“Absolutely boss! I think – with some exceptions – most of the plus 40-types in the adbiz must be handed out VRS slips! Or moved out from the main frame and given stuff they can handle. The change, across the spectrum, is too fast for them to keep pace. The very concept of creativity is being re-defined everyday.” That was 28-year old Atul Bishnoi, CD of a Mumbai based ad agency. The grand old [evergreen?] man of adville laughs away these broadsides with characteristic flamboyance. Retorts Alyque Padamse, “Before uttering another word, I’d like to invite Bishnoi to sit on my lap and finish his orange juice, milk, Complan, Bournvita, Horlicks or whatever it is that he has!” Ego intact, he proceeds to offer his educated take. He believes that “creativity addressing human needs can never be dated” and remains skeptical about agencies suddenly moving to youth-mode because of the buzz. “That is insecurity and a complete lack of smart thinking. As long as your ideas are young and fresh, you rock. Age is only a number. My advice to the paranoid oldies: Don’t retire – re-tyre!”
 
Ogilvy’s hot-shot spoof champ (of Sprite fame) Ajay Gehlaut steps on the gas, straightaway. “It’s sad, but true that awe, respect and reverence for the grey-haired brigade is a thing of the past. In today’s world, speed with quality is the name of the game and youth appear to be hotter players in this space.” He points to a galaxy of young NCD’s, CD’s, even CEO’s (Prasoon Joshi) warming the hot-seat – something unthinkable two decades ago. “In this digital age, five years is considered decent experience. In the gaming scene, you have whiz kids at age 16! Its freaky, man! Information not wisdom is the new mantra.” Shyam Benegal, the iconic film-maker – who started out as a copywriter! – brings his brilliantly evolved spin to the table. “While all this energetic, excited, hi-octane stuff is true, one must realise that it is restricted only to the ad scene, which is only one narrow aspect of the creativity base/universe.” Benegal says that it is not a new thing at all. In earlier times too, youngsters defined the adbiz “and either you were kicked upstairs – or kicked out!” However, today out-of-the box and freak-out stuff seem to be the hot tickets and clearly the younger lot is much better at it than the oldies. Why? “Because as you grow older, maturity arrives and with it a sense of perspective, rationale and analysis – none of which really contributes to the free-for-all creativity demanded from today’s adland.” Structure, discipline, training have all evaporated into thin air. A very special, hallucinatory kind of mood and colour seems to be the flavour of the day, a willful suspension of disbelief stretched to the ultimate limit.” Chetan Verma, Corporate Communication Chief, PowerGrid, brings his informed views to the table. “I definitely think creativity comes with an expiry date and the reasons are simple. Never before has almost any product/service category enjoyed such huge youth-specific target groups and in this environment, thinking young [hence] is a must. Also, adaptability, flexibility and thinking-on-your-feet to hit the ground running are attributes that lend themselves much more to the younger lot than oldies. In a nano-second, consumer-driven world where tastes, beliefs, wants, needs and desires change at an alarming speed – frequent based on impulsiveness – no prizes for guessing which constituency can best track it - and crack it! Admittedly, there are spaces and segments that engage the older lot, but [everything considered] creativity and youngsters are indeed made-for-each-other.” Interestingly, the two kids who come on next, to wrap up the debate, beg to differ! Spiky, the hip-hop Creative Consultant at Leo Burnett, Mumbai, believes that age has nothing to do with creativity and cites the examples of M.F. Hussain, Piyush Pandey, Pops and Mohammed Khan, who remain icons. “Fads, fashions and trends admittedly are stuff beyond their bandwidth but there is an entire universe that need their specialised attention, skill and finesse. I think experience and maturity provides invaluable value-addition.” Shubhra Tandon, the young and attractive servicing dynamo – DraftFCB Ulka, Delhi – agrees totally. “I think, too much hoo-haa is made of this under-25 war-cry. Sure, its true, but c’mon yaar, there is life beyond the FMCG world!” A sharp head on young shoulders, Tandon believes that at the end of the day, advertising is neither about scoring brownie points, jargon-flashing nor a cold recitation of facts and figures. “Its about establishing a connect with life (and people) based on experience and human insight that are likely to touch, move (and therefore) convince more people to come around to their way of thinking”. A smart agency, she believes is one that has a blend of both. “Remember confluence – not conflict – is the most desired viagra in these recession-hit times!” 

Share/Bookmark

Thursday, April 09, 2009

Has Youthquake struck Ad-Endorsement-Land?

Is ‘young’ the undisputed flavour of the day? Are yesterday’s sweethearts suddenly, dreaded victims of the don’t-call-us-we’ll call-you disease? 4Ps B&M's Monojit Lahiri surveys the scene...

 Recently, a screaming headline in a tabloid grabbed my attention. Out of work Sush loses ad deal to petite Asin. A gorgeous, glamorous, sophisticated diva like Sushmita Sen, given the heave-ho (for a product she’s been associated with for years – Pantene) and replaced by young, pretty [but nowhere as charismatic or enjoying pan-India popularity with the upmarket crowd] South Indian actress Asin, of Ghajini fame! Why, even the great King Khan – whose other name seemed to have been ‘Pepsi Khan’ – is, reportedly, dropped from Team Pepsi in their latest outing. Ditto for yesterday’s queens Ash Rai Bachchan, Rani Mukherjee and Preity Zinta, say adbiz and Bollywood insiders. On the cricket front too, similar tremors have been felt. Yesterday’s icons Saurav Ganguly, Rahul Dravid, Anil Kumble, V.V.S. Laxman, even the sensational Sachin Tendulkar, have suffered anything between a meltdown to a slowdown. It’s the T-20 kids – Dhoni, Yuvraj, Ishant, Raina, Zaheer and gang – that are zooming centre-stage and replacing them in the endorsement sweepstakes. In Bollywood, new dazzlers rocking it include Kareena Kapoor, Priyanka Chopra, Asin, Genelia, Jiah Khan, Katrina Kaif, Imran Khan, Ranbir Kapoor, Neil Nitin Mukesh, Kangana Ranaut, Deepika Padkone, even Farhan Akhtar! With half of our one billion population said to be under the age group of 25, marketers are indeed getting hot n’ heavy in the business of torpedoing this target base, all the way!

Is it working… and what drives it? Who better to kick-off this debate with the very person who founded and coined the ground-breaking term youngistan – which for Washington Post defines young India as also TV channels and political parties identifying the new India – Soumitra Karnik, Creative Head of JWT’s Pepsi team who says, “Much as I am tempted to say that I suddenly dreamt it all up one stormy night – like fake directors or smart plagiarists! – I didn’t! Its just that, while reading up something, the words ‘Young’ and ‘Hindustan’ struck me as interesting cues for coining something new, fresh, simple along street-speak lines that would resonate with the target base. That’s how it was really born. If it captured popular imagination instantly, I guess its largely because it was red-hot topical, had the required bindaas tone to it and reflected the mood, colour and voice of today’s most important segment-youth.” Karnik doesn’t munch his words and packs in a solid punch when he says that today’s marketers live in the here n’ now and grab only what they believe will rock their product. “They are pretty much like fair-weather friends – and why not? They have a job to do. If its not working, then its goodbye time! The new kids on the block, both in the Cricket and Bollywood arena, reflect this reality in dramatic fashion, right? The age of loyalty is over, boss. It is the age of Return on Investment (ROI)!”
 
Industry-watcher Ashish Kukreja however, chooses to rain on Karnik’s parade. He reckons all this is “a bimari and fad grabbing the new-age marketers, looking for a quick kill. It has no logic, focus or perspective. Its just a brainless follow-the-herd mentality. Where is the brand-fit? Does a Yusuf Pathan or Praveen Kumar go with the profile of a Pepsi?” Dentsu’s Gullu Sen believes that Kukreja must have both his head and eyes examined immediately because he seems to be living in another planet! “Soumitra is spot-on! Youth is definitely in and the role-models for big buck celeb deals are selected completely on the basis of who’s the flavour of the day. No question about that! It has to do with that segment the product is targeting and with the kids’ universe getting more impatient, adventurous and promiscuous towards brand usage than ever, shifts in role-models take on critical dimensions,” avers Sen. And L. K. Advani’s recent visuals of pumping iron to attract the young voter, is further indication of the might of youth power, right?!

At the end of the day, other aspects come into play too. For one, there is a definite fatigue-factor when one single celeb endorses a brand forever, especially in today’s impatient, novelty-driven times. Two, age does matter. Three, success is the key (Dhoni’s dynamic leadership and subsequent success strike-rate has, allegedly, got him endorsement to this staggering amount of Rs.300 crore!). You can’t have a poor run of scores – either in cricket or Bollywood – and expect the sponsors to keep pampering and batting for you! Nestle dropped Rani for South Indian actress, Trisha, who also – ironically – replaced Preity in the Scooty Pep Ads. The once-bubbly Zinta [now seen more in IPL do’s than the screen!] was also relieved of her endorsement with Perk, Lyril, BSNL and Santro. However, all is not lost for the likes of Ash – who was recently replaced by Katrina in the Nakshatra Diamond endorsement deal – and gang. The power of two (thanks to the humongous and insane curiosity, influence and impact that both Bollywood and cricket attract, ably-supported by a zillion mags, publications, tabloids, TV channels and Internet sites blitzing gossip, scandals, rumors, juicy, naughty and startling news bytes 24X7) is gaining huge momentum and so the John-Bips, Saif-Kareena, Ajay-Kajol, Ranbir-Deepika and Ash-Abhi combo can keep earning those big bucks – before another recession arrives, that is!

Share/Bookmark

Thursday, March 12, 2009

New-Age Ads Irresponsible Or Reality-Driven?!

4Ps B&M's Monojit Lahiri examines the face-off that continues to plague adville and attempts to play ‘referee’!

 Whether advertising drives reality or reflects it remains a ball-breaker, hot-potato and one of life’s enduring and unsolved mysteries. Ad-bashers vociferously insist that the adfrat – like Bollywood – continue to get away with blue murder, invariably falling back on that old, moth-balled ghisa-pita line – “Why blame us? We are only reflecting the times…” – each time an ad of dangerously dubious nature screams into focus. The ad guys beg this lot to shake off their Rip Van Winkle robe, wake up and look around. In a globalised, youth-driven world, firmly in the embrace of new-age attitudes and aspirations, this brand of stone-age thinking, they believe, is both regressive and ridiculous.

Okay, so what gives? Is ethics in advertising really an obsolete word in the age of Britney Spears and Rakhi Sawant... or despite all the new-age blah-blah, do basic human values remain unchanged and a hit in that direction spells doom… or are both sides just over-reacting to this issue and in the process, missing out on the much-needed perspective, focus and main plot?

Eminent media commentator and author, Uma Vasudev fires the first salvo. The veteran writer believes that in these irreverent and youth-driven times “it is a fashionable thing – by shallow, self-proclaimed intellectuals and liberated spirits hysterically anxious to get their posturing right by sounding young – to trash anything that is solid, wholesome, traditional or conventional.” While she heartily agrees that some people tend to get too touchy and hyper to some ads [Sprite, MotoYuva, Axe, Virgin Mobile, Colgate], she suggests that some kind of moral policing must happen. “Remember, one man’s humour can be another’s tumour!”

Ex-Motorola and presently Tata Telecom’s Lloyd Mathias – whose (earlier) MotoYuva TVCs feature strongly in this debate – reacts in his usual, laid-back fashion. “See, advertising is about dramatising, blowing-up and exaggerating slice-of-life moments to make them interesting, appealing and engaging to the readers/viewers, while triggering the purchase intent. This has to be done keeping the sensibilities of the target group in mind. A total connect with them is a given.” Mathias points to the ad where the father raves and rants at his son’s shabby room and sloppy everything, while the kid, with earplugs, rhythmically nods to the song he hears on his audio. “It’s a hugely today’s situation and totally identifiable by most parents of teenagers and also the kids themselves. The ad emerged from human insight and was a light-hearted social commentary on the parent-child scenario of the day. It is not and was never meant to promote parental defiance or disrespect. It’s a tongue-in-cheek take on everyday, real-life face-offs between baap-beta!” Same is the case with all the cheeky MotoYuva ads blitzing the ad space, he insists.
 
Leo Burnett’s Pops Sridhar agrees. He believes it’s a “generational thing” and strongly requests the kill-joy brigade not to drag morality, values and integrity into it. As Mathias pointed out, advertising hypes life to make it look sexy for the viewer – but it’s almost always rooted in fact and truth. Be it Ogilvy’s Mentos ad, or Perfetti [Papa at a party. Papa in the office. Papa at home] ad, Bates’ Virgin Mobile ad, Ogilvy’s MotoYuva ads – it’s a throw-back on the times we live in. “Relationships, codes of conduct and ways of expression have undergone a sea-change. It’s a cooler, more informal and chilling time. The old authoritarian dad-kids relationship, in urban India is a thing of the past. They are more buddies and engaged in closer, warmer bonding. Kids are cheekier and adults are cooler. That’s the truth and that’s what these ads show, say and express,” avers Pops. Mridu Manjrekar, however, is neither amused nor impressed. “These ad-wallahs are master spin-doctors, ready with glib explanations that appear both truthful and convincing, but scratch the surface and its bullcrap!” The school teacher and mother of two teenage kids, “sees this brand of advertising as insidious and dangerous.” Couched in entertainment, it hits the target spot-on and instantly – at a subliminal level – creates mischief through propagating wrong values. [Its no sin to bullshit parents; cheat girlfriends; mock teachers! Nothing is sacred, precious or non-negotiable. Nothing is a big deal. Its ‘just- chill-yaar’ time.] Scary!

At the end of the day, one thing needs to be recognised and realised in a cool and objective manner. Barring some overtly vulgar ads, most of the stuff discussed is not really offensive, either in terms of morals or values. Remember, the rigid good and bad, moral and immoral, done and not done zones don’t exist anymore. It’s an age of confluence, not conflict. To be cheeky or naughty is ‘not’ perceived as a cardinal sin, which calls for capital punishment! Humour [audacious or irreverent] is cool. As for influencing and corrupting kids, 10 is the new 15! Good, sensible parenting is the answer. Besides, don’t forget that if you give kids wings, they’ll surely develop roots…

Share/Bookmark